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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.
In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work.
The Queen Anne was clearly a transitional style, creating a bridge between the exuberant Victorian and the restrained Colonial revival styles. The Queen Anne home is characterized by its ...
A looming, colorful Queen Anne Victorian home has landed on the real estate market in a place where one wouldn’t normally see this particular design — the small town of Dublin, Texas.. Dublin ...
New Albany's Mansion Row features a plethora of homes, including this Queen Anne Victorian with a brick-red, mustard yellow, and forest green exterior
The Victorian Society is a membership charity which campaigns for Victorian architecture. In the United States, Victorian house styles include Second Empire, Queen Anne, Stick (and Eastlake Stick), Shingle, Richardsonian Romanesque, and others. [2]
The Queen Anne-styled house, built in 1888 for T. W. Shelton, was designed by Salem, Oregon architect Walter D. Pugh.It has undergone several modifications, including an enlargement in the 1910s for Robert McMurphey, and a remodel by Curtis and Eva Johnson in 1951 which restored its original turret.