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A clarinet sonata is piece of music in sonata form for clarinet, often with piano accompaniment. The Clarinet Sonatas by Brahms are of special significance in the development of the clarinet repertoire.
The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the ...
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [ 8 ] William Henry Bell – Clarinet Sonata in D minor (1926) [ 5 ]
The Sonate pour clarinette et piano (Clarinet Sonata), FP 184, for clarinet in B-flat and piano by Francis Poulenc dates from 1962 and is one of the last pieces he completed. It is dedicated to the memory of Arthur Honegger, who like Poulenc had belonged to the group Les Six. A typical performance takes 12–14 minutes.
These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine chamber music: the clarinet and the piano are both used equally as a melody and an accompaniment instrument, but the demands on the clarinettist are far more modest than in opp. 113 and 114.
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.
Clarinet Sonata (Saint-Saëns) Sonata for flute, oboe, clarinet and piano (Milhaud) This page was last edited on 3 April 2013, at 17:52 (UTC). Text is available ...
The sonata is scored for a solo clarinet in B-flat. There are no dynamics, articulation or phrasing indications (Nicholls 1990, 176). Overall, the style is, in the words of Cage scholar James Pritchett, "chromatic, rhythmically complex, and unmetrical" (Pritchett 1993, 7).
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