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Brazilian painting, or visual arts, emerged in the late 16th century, influenced by the Baroque style imported from Portugal.Until the beginning of the 19th century, that style was the dominant school of painting in Brazil, flourishing across the whole of the settled territories, mainly along the coast but also in important inland centers like Minas Gerais.
The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, [1] dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. [2]
Portrait of Erasmus of Rotterdam by Hans Holbein the Younger. Authentic portraits are ideal, but none exist for the vast majority of historic personalities. Where they exist, authentic portraits, i.e. artistic depictions of a person that purport to provide an individualized, authentic representation of that person's unique looks, based either directly or indirectly on a witness's first-hand ...
Two famous figures appeared at the culmination of the Baroque in Brazil, both in the cultural and economic center of Minas Gerais: Aleijadinho (Antônio Francisco Lisboa) in architecture and sculpture, and Master Ataíde (Manoel da Costa Ataíde) in painting. They epitomized an art movement that had managed to mature and adapt to the ...
Brazilian Romantic painting was the leading artistic expression in Brazil during the latter half of the 19th century, coinciding with the Second Reign. It represented a unique evolution of the Romantic movement ; it diverged significantly from its European counterpart and even the parallel Romantic movement in Brazilian literature .
The following is a list of Brazilian visual artists (in alphabetical order by last name) includes artists of various genres, who are notable and are either born in Brazil, of Brazilian descent or who produce works that are primarily about Brazil.
His early years are obscure and the few sources provide conflicting information. [1] Victor Meirelles de Lima was the son of Portuguese immigrant Antônio Meirelles de Lima and Brazilian Maria da Conceição dos Prazeres, merchants who lived with limited economic resources in the city of Nossa Senhora do Desterro (now Florianópolis). [2]
The paintings remained missing until January 8, 2008, when they were recovered in Ferraz de Vasconcelos by the Police of São Paulo. The paintings were returned, undamaged, to the São Paulo Museum of Art. [9] There were a number of commemorative events in the centenary of his birth in 2003, including an exhibition of his work in London.