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The poem consists of four quatrains in abab iambic pentameter. [4] A series of symbols, clouds, wind harps, describe the permanence in impermanence. The themes of transformation and metamorphosis and the transitory and ephemeral nature of human life and the works of mankind were also addressed in "Ozymandias" (1818) and "The Cloud" (1820). [5]
It was a dark and stormy night; the rain fell in torrents—except at occasional intervals, when it was checked by a violent gust of wind that swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
It is based on the reddish glow of the morning or evening sky, caused by trapped particles scattering the blue light from the sun in a stable air mass. [5] If the morning skies are of an orange-red glow, it signifies a high-pressure air mass with stable air trapping particles, like dust, which scatters the sun's blue light.
An even more vicious Santa Ana setup happened in early December 2011, with a peak gust of 97 mph at Whitaker Peak, winds commonly found in a Category 2 hurricane. These devastating winds toppled ...
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]
The simple interpretation of the wind chill is how cold the air feels when the wind is factored in. This is the winter counterpart to the "heat index" when it comes to "feels-like" temperatures.
The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
The poem is an expression of Stevens' perspectivism, leading from a relatively objective description of a winter scene to a relatively subjective emotional response (thinking of misery in the sound of the wind), to the final idea that the listener and the world itself are "nothing" apart from these perspectives. Stevens has the world look at ...