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Bohuslav Martinů's Double Concerto for Two String Orchestras, Piano, and Timpani (H. 271) was written in Switzerland in 1938 during deteriorating diplomatic relationships throughout Europe. Commissioned by Paul Sacher for the Basel Chamber Orchestra, it reflects intense impressions, from both the composer's personal life and the political ...
Playing throughout the majority of the movement, the timpani guide the orchestra into a quick descent, and, having quieted the ensemble, provide gentle pulse. Brass play some short chords, and then settle onto a lingering resolution. The movement, approximately six minutes in length, draws to a tranquil close.
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
Raise the Roof has a duration of approximately twelve minutes and is composed in a single movement. The piece has influences of rock and roll and latin rhythms, and utilizes significant portions of extended technique in the solo part, including the use of foot pedals for melodic tuning, playing with an upside-down cymbal on the drumhead, and striking the drums with maraca sticks, wire brushes ...
As the full title of the piece denotes, the piece is scored for a solo organ, timpani and a string orchestra.The piece uses such comparatively small forces, relative to Poulenc's other concertos (the Concert champêtre used a full orchestra as accompaniment), [5] so that the piece could be played in a quite small space with an organ, such as Princess Edmond's salon, that were quite popular in ...
A "seamless repeated melody" is played by the strings and answered in the last four bars by the timpani, in an almost religious statement in a world before a Second World War. [ 4 ] The version for strings and timpani was first performed in a broadcast on 1 January 1939 by the Radio Orchestra conducted by the composer, as the only recorded ...
Students can learn to play classic piano, rock piano, or show tunes. [3] The Miracle system assesses the player's ability to create custom lessons. [4] Fun exercises were meant to make learning the piano seem less like a chore and more like playing a video game.
The orchestra joins in after some time, reintroducing the piano's "lullaby" theme, while the soloist's part still flows across the octaves. The key regularly changes from A minor to C minor and back again, the music becomes ever broader and harder to play. Rhythm and tune then fall into an abrupt piano, no less threatening than the previous forte.
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