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The complete paintings of Titian, 430 ; The Scourging of Christ, Web Gallery of Art (English) Cristo flagellato, Galleria Borghese (Italian) Bildindex der Kunst und Architektur PID: 0000237108 ; Smartify artwork ID: titian-the-scourging-of-christ ; Bildindex der Kunst und Architektur ID (deprecated): 08014272 ; Source/Photographer
Christ and the Adulteress (Titian, Glasgow) Christ and the Adulteress (Titian, Vienna) Christ Appearing to his Mother after his Resurrection; Christ Carrying the Cross (Titian) The Crowning with Thorns (Titian, Munich) The Crowning with Thorns (Titian, Paris) Crucifixion (Titian)
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
In 1839 he received his first state commission, from France's Ministry of the Interior, a copy of The Scourging of Christ by Titian. On 8 October 1839 he married the young middle-class Laure Peytouraud and they had three children: Thérèse (1840–1932), Rosalie (1843–1913) and Louise (1860–1944).
In any event, Titian managed to produce a certain degree of unity, although not spatially or architecturally, unlike 15th century polyptychs. Instead, the Veneto-born painter adopted a chromatic-dynamic, with a sense of light converging towards the central scene. [2] The panels are: Resurrection of Christ, 278x122 cm
It is believed to be one of the first works commissioned by the Gonzagas from Titian. On February 2, 1523, Federico II wrote to his uncle Alfonso I d'Este to free Titian from any artistic assignments in Ferrara. [2] There is a copy of The Entombment produced afterwards, perhaps signed by Titian, in the Torrigiani family collection.
In Christ's foot extended on the steps, however, Titian pulls out all the Venetian stops and one can sense the blood flowing through the veins under the flesh. The pattern of the canes slices through the massed figures like the strokes of a knife, forming a Trinitarian triangle to the right of Christ's head.
The Crowning with Thorns (1576) by Titian. The Crowning with Thorns or Christ Crowned with Thorns is an oil on canvas painting by Titian, executed in 1576, now in the Alte Pinakothek in Munich. It is a typical composition from his final period. [1] and can be compared with an earlier 1542 work of his on the same subject.