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Composition with Large Red Plane, Yellow, Black, Grey and Blue is Mondrian's first painting after the publication of this essay, visually representing these ideals by stripping away all recognizable forms of physical objects and even the outlines of individual brushstrokes.
Elementarism influenced architecture, design, and painting, promoting greater creativity within the abstract art framework. [ 17 ] Elementarism is most prominently seen in Van Doesburg's architectural designs, such as his collaboration on the Aubette in Strasbourg, where he applied these principles to interior design.
Mondrian's work had an enormous influence on 20th-century art, influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.
Neoplasticism (or neo-plasticism), originating from the Dutch Nieuwe Beelding, is an avant-garde art theory proposed by Piet Mondrian [a] in 1917 and initially employed by the De Stijl art movement. The most notable proponents of this theory were Mondrian and another Dutch artist, Theo van Doesburg . [ 1 ]
De Stijl (/ d ə ˈ s t aɪ l /, Dutch: [də ˈstɛil]; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren (Piet Mondrian, Bart van der Leck).
In 1917, Mondrian was one of the founding members of the Dutch art group De Stijl ("The Style"), an abstract movement which sought unification of material and spiritual worlds through pure geometry. Composition with Grid No. 1 , painted in 1918, was an early painting to adopt this style.
Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas. Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of ...
Evolution is an early painting by the Dutch artist Piet Mondrian. It was executed in 1911, after the artist had visited Paris. The painting represents a mid-point in Mondrian's journey from realistic landscapes to radical abstraction. Symbolic in form and with stylised lines, it was Mondrian's last painting where he painted a human form.
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