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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Sebastiano del Piombo 's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
Designed by the architect Peter Ellis and built in 1864, it is the world's first building to feature a metal-framed glass curtain wall. 16 Cook Street, Liverpool, 1866. Extensive use is made of floor-to-ceiling glass, enabling light to penetrate deeper into the building, thus maximizing floor space. Glass curtain wall of Bauhaus Dessau, 1926
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Decalcomania (from French: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity art transfer or product label, known as a "decal". Decalcomania is adapted from French décalcomanie, equivalent to décalquer ...
Collage. Collage ( / kəˈlɑːʒ /, from the French: coller, "to glue" or "to stick together"; [ 1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.)
The current painting, like its predecessor, Simultaneous Windows 2nd Motif, 1st Part, is held at the Solomon R. Guggenheim Museum, in New York. A painting with the same title is held at Tate Modern, in London. History and description. Delaunay when he created this painting series had already left representation.