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Holly Holy. " Holly Holy " is a song written and recorded by Neil Diamond with instrumental backing provided by the American Sound Studio house band in Memphis. Released as a single on October 13, 1969, [1] it was a successful follow up to "Sweet Caroline", reaching #6 on the U.S. pop singles chart by December.
"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in ...
A Holly Jolly Christmas. " A Holly Jolly Christmas ", also known as " Have a Holly Jolly Christmas ", is a Christmas song written by Johnny Marks and most famously performed by Burl Ives. The song has since become one of the top 25 most-performed "holiday" songs written by ASCAP members, for the first five years of the 21st century. [1]
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 in the United States and on 30 March 1973 in the United Kingdom by Atlantic Records. [ 4 ] [ 5 ] The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and ...
Buddy Holly (song) " Buddy Holly " is a song by the American rock band Weezer. The song was written by Rivers Cuomo and released by DGC as the second single from the band's debut album, Weezer ( The Blue Album) (1994). The lyrics reference the song's namesake, 1950s rock-and-roll singer Buddy Holly, and actress Mary Tyler Moore.
Deck the hall with boughs of holly, 'Tis the season to be jolly, Don we now our gay apparel, Troll the ancient Christmas carol, See the blazing yule before us, Strike the harp and join the chorus. Follow me in merry measure, While I tell of Christmas treasure, Fast away the old year passes, Hail the new, ye lads and lasses! Sing we joyous all ...
The song has an unusual structure: it opens with a fast thrash section, shifting at 2:26 after an acoustic bridge by Marty Friedman to a different, slower and heavier section called "The Punishment Due", [citation needed] interspersed by two guitar solos played by Friedman, before speeding up again with a third and final solo played during this segment by Dave Mustaine.
We got you. We're going to protect you. You're exactly where you're meant to be. You're on the path,'" Katy added, saying she named her album 143 because she feels like she's "exactly where I'm ...