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A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924. Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de ...
The golden age of postcards is commonly defined in the United States as starting around 1905, peaking between 1907 and 1910, and ending by World War I. [4] [5] [6] Listed here are eras of production for specific types of postcards, as typically defined by deltiologists. Most of the dates are not fixed dates, but approximate points in time as ...
A. & G. Taylor was a British photographic business, and manufacturer of cabinet cards and cartes de visite, and later picture postcards. In 1866, the photographers Andrew Taylor (1832–1909) [1] and George Taylor opened their first studio in London's Cannon Street. They expanded to have 30 outlets in major British cities and some in the US.
Cabinets coated in an energizing paint color could feel at right in a number of home styles, from cottages to city apartments. Other important considerations when choosing kitchen cabinets: uppers ...
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The American Bank Note Company acquired Continental in 1879 and took over the contract, printing similar designs on softer papers and with some color changes. Major redesigning, however, came only in 1890, when the American Bank Note Company issued a new series in which stamp-size was reduced by about 10% (the so-called "Small Bank Notes").
Rosewood, mahogany, Bird's eye maple veneer, marble, ormolu, and leather. In the collection of the Cincinnati Art Museum. American Empire is a French -inspired Neoclassical style of American furniture and decoration that takes its name and originates from the Empire style introduced during the First French Empire period under Napoleon's rule.
Eastman Johnson, 1890s, albumen print (cabinet card) by Edwin S. Bennett, Department of Image Collections, National Gallery of Art Library, Washington, DC Eastman Johnson's portrait of his brother, Commodore Philip Carrigan Johnson, oil on canvas, 21 × 25 in., 1876
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