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A cabinet card from 1896. 1866–1879 Photographer name and address often printed small and neatly just below the image, and/or studio name printed small on back. 1880s on: Large, ornate text for photographer name and address, especially in cursive style. Studio name often takes up the entire back of the card.
Edward Steichen. Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish and American photographer, painter, and curator. He is considered among the most important figures in the history of photography. [ 1] Steichen was credited with transforming photography into an art form. [ 2]
The carte de visite ( French: [kaʁt də vizit], English: ' visiting card ', abbr. 'CdV', pl. cartes de visite) was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero . Each photograph was the size of a visiting card, and such photograph cards, in ...
Stock photography is the supply of photographs that are often licensed for specific uses. [ 1] The stock photo industry, which began to gain hold in the 1920s, [ 1] has established models including traditional macrostock photography, [ 2] midstock photography, [ 3] and microstock photography. [ 4] Conventional stock agencies charge from several ...
In 1907, Kodak introduced a service called "real photo postcards," which enabled customers to make a postcard from any picture they took. [2] While Kodak was the major promoter of photo postcard production, the company used the term "real photo" less frequently than photographers and others in the marketplace from 1903 to ca. 1930. [citation ...
Photographic plates preceded photographic film as a capture medium in photography. The light-sensitive emulsion of silver salts was coated on a glass plate, typically thinner than common window glass. They were heavily used in the late 19th century and declined through the 20th. They were still used in some communities until the late 20th century.
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