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5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres. [1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [ 2 ]
The first and simplest method is using a surround sound recording technique—capturing two distinct stereo images, one for the front and one for the back or by using a dedicated setup, e.g., an augmented Decca tree [20] —or mixing-in surround sound for playback on an audio system using speakers encircling the listener to play audio from ...
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
Dolby AC-4 is an audio compression standard supporting multiple audio channels and/or audio objects. Support for 5.1 channel audio is mandatory and additional channels up to 7.1.4 are optional. [ 38 ]
When Dolby AC-4 was tested by the DVB the Multiple Stimuli with Hidden Reference and Anchor test (MUSHRA) score was 90 at 192 kbit/s for 5.1 channel audio. [1] When tested for ATSC 3.0 the bit rates needed for the required audio score was 96 kbit/s for stereo audio, 192 kbit/s for 5.1 channel audio, and 288 kbit/s for 7.1.4 channel audio. [1]
DTS Headphone:X is a spatial audio technology, sometimes referred to as DTS Headphone:X "v2.0" or even "v2.0 7.1", [38] if the technology is to be licensed out to companies and not implemented by DTS themselves (through 1st party applications such as DTS Sound Unbound and others), where usually on non-PC devices such as video game consoles can ...
Graham's Line Identification Tone System (GLITS) is a test signal for stereo systems devised by BBC TV Sound Supervisor and Fellow of the IPS Graham Haines in the mid-1980s. It comprises a 1 kHz tone at 0 dBu (-18 dBFS ) on both channels, with interruptions which identify the channels.
The complete audio track is allowed a combined bitrate of 1.7 Mbit/s: 640 kbit/s for the AC-3 5.1 core, and 1 Mbit/s for the DD+ extension. During playback, both the core and extension bitstreams contribute to the final audio-output, according to rules embedded in the bitstream metadata. [4] [better source needed]