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It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [2] Dolby Digital, Dolby Pro Logic II, DTS, SDDS, and THX are all common 5.1 systems. 5.1 is also the standard surround sound audio component of digital broadcast and music. [3]
7.1 channel surround is another setup, most commonly used in large cinemas, that is compatible with 5.1 surround, though it is not stated in the ITU standards. 7.1 channel surround adds two additional channels, center-left (CL) and center-right (CR) to the 5.1 surround setup, with the speakers situated 15 degrees off center from the listener. [24]
The extra surround channel is matrix encoded onto the discrete left surround and right surround channels of the 5.1 mix, much like the front center channel on Dolby Pro Logic encoded stereo soundtracks. The result can be played without loss of information on standard 5.1 systems or played in 6.1 or 7.1 on systems with Surround EX decoding and ...
10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). ). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: "Twice as good as 5
Over HDMI 1.1 (or higher) connections as 6-, 7-, or 8-channel linear PCM, using the player's decoder and the AV receiver's DAC. Over HDMI 1.3 (or higher) connections as the original DTS-HD Master Audio bitstream, with decoding and DAC both done by the AV receiver. (This is the transport mode required for DTS:X playback.)
Dolby Digital Plus, also known as Enhanced AC-3 (and commonly abbreviated as DDP, DD+, E-AC-3 or EC-3), is a digital audio compression scheme developed by Dolby Labs for the transport and storage of multi-channel digital audio.
22.2 or Hamasaki 22.2 (named after Kimio Hamasaki, a senior research engineer at NHK Science & Technology Research Laboratories in Japan) is the surround sound component of Super Hi-Vision (a new television standard with 16 times the pixel resolution (7680×4320) of HDTV (1920x1080).
However, whereas a 5.1 surround sound system combines both surround and rear channel effects into two channels (commonly configured in home theatre set-ups as two rear surround speakers), a 7.1 surround system splits the surround and rear channel information into four distinct channels, in which sound effects are directed to left and right ...