Search results
Results from the WOW.Com Content Network
The word ‘Shivalinga’ is a combination of the words ‘Shiva’ (auspiciousness) and linga (sign or symbol). Thus ‘Shivalinga’ is a representation of Shiva in His all-auspicious aspect. Linga has been translated as phallus, which refers to his aspect of the masculine principle. [6] ‘Linga’ also means the place of dissolution of the ...
Shiva (Hebrew: שִׁבְעָה , romanized: šīvʿā, lit. 'seven') is the week-long mourning period in Judaism for first-degree relatives. The ritual is referred to as "sitting shiva" in English. The shiva period lasts for seven days following the burial.
In Hindu iconography, he is generally depicted coiling around the neck of Shiva, who is believed to have blessed and worn him as an ornament. He is known in Chinese and Japanese mythology as being one of the "eight Great Dragon Kings" (八大龍王 pinyin : Bādà lóngwáng; Japanese : Hachidai Ryūō), [ 4 ] amongst Nanda (Nāgarāja ...
Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 December 2024. Aniconic representation of the Hindu god Shiva "Linga" and "Shivling" redirect here. For other uses, see Linga (disambiguation) and Shivling (disambiguation). A lingam with tripundra, projected on a yoni base Part of a series on Shaivism Deities Parameshvara (Supreme being) Shiva ...
These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the main images of the sanctum or sculptures and reliefs in the outer walls of Shiva temples.
The trishula has a number of interpretations in Hindu belief. The three points of the weapon have various meanings and significance have many stories behind them. They are commonly said to represent various trinities: creation, preservation, and destruction; past, present, and future; body, mind and atman; Dharma (law and order), bliss/mutual enjoyment and emanation/created bodies; compassion ...
Rudra's identification with Shiva was put in writing for the first time in Shvetashvatara Upanishad and later in Yajurveda linked Taittiriya Samhita (S.4.5.1), in the Shata Rudriya section. The Vajasneya samhita (S. 3.63) also co-equals Shiva with Rudra by citing the mantra, “tam Shiva namasi”, meaning “I bow to you, Shiva”.