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Dancehall (subtitled: The Rise of Jamaican Dancehall Culture) is a 2008 compilation album of dancehall music released between the late ... mp3, and vinyl record. [2 ...
Dancehall music, also called ragga, is a style of Jamaican popular music that had its genesis in the political turbulence of the late 1970s and became Jamaica's dominant music in the 1980s and '90s. It was also originally called Bashment music when Jamaican dancehalls began to gain popularity.
Christine Chin (born 1974), [2] better known by her stage names Sasha and Sista Sasha, is a Jamaican dancehall musician, presently recording gospel music. [3] Born in Kingston, Jamaica, she was raised in Queens, New York City. [2] Her first big hit was Dat Sexy Body. [2]
Earlan Bartley (born December 19, 1993), better known as Alkaline, is a Jamaican dancehall and reggae musician from Kingston, Jamaica. [2] Known for entering the scene with an alluring perception heavily projected to his Jamaican audience and utilizing his stage name to represent the opposite principles of his personality correlating the dichotomy of positive and negative. [3]
The duo's second album, The Beat Goes On, was released in 2001 by VP Records in Jamaica and Universal in the US. [2] The album reached number 4 on Billboard ' s Top Reggae Albums Chart in 2002. [6] A single from the album, "Give It to Her", reached number 85 in the Billboard Hot 100. [6]
Josey Wales OD (born Joseph Winston Sterling [c], October 9, 1958, in St. Mary, Jamaica) is a Jamaican dancehall singer. He has been called, along with Brigadier Jerry, Yellowman and sound system partner Charlie Chaplin, one of the best Jamaican dancehall deejays of the 1980s. [1]
The popular phrase “bam bam” was introduced into the music scene first in 1966 by a reggae band called Toots and the Maytals. The catchy hypnotic phrase, bam bam, led to its longevity that surpassed the popularity of roots reggae and was incorporated into the resurging dancehall genre, where many dancehall vocalists (or deejays) would use ...
The dance halls of Jamaica in the 1950s and 1960s were home to public dances usually targeted at younger patrons. Sound system operators had big home-made audio systems (often housed in the flat bed of a pickup truck), spinning records from popular American rhythm and blues musicians and Jamaican ska and rocksteady performers.
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