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Glenn Martin Tilbrook (born 31 August 1957, in Woolwich, London) is an English singer, songwriter and guitarist, best known as the lead singer and guitarist of the English new wave band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end.
Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, ...
Chris Difford was a constant member of Squeeze until he briefly left during 1999. During the tour in promotion of new studio album Domino, co-founder Chris Difford abruptly left Squeeze in early 1999, just days prior to the tour's North American leg. Announced initially as a hiatus due to a dislike of travel, it was much later revealed the exit ...
Squeeze are a British rock band active from 1974 to 1982, from 1985 to 1999, and from 2007 to the present date. Founded by Glenn Tilbrook (guitar, vocals), Chris Difford (guitar, vocals), Jools Holland (keyboards) and Paul Gunn (drums), the group have released 15 studio albums, 14 compilation albums, 4 live albums, 1 extended play, 48 singles and 34 music videos.
"Pulling Mussels" is a "crowd favourite" at Squeeze concerts, [24] and as of September 2020, it is the band's most played song in concert. [25] The band performed the song on Saturday Night Live on 20 November 1982. [ 11 ]
Sweets from a Stranger is the fifth studio album by the British new wave group Squeeze, released April 30, 1982 through A&M.The album peaked at number 20 in the UK Albums Chart. [1]
Argybargy was the first Squeeze album to chart in the US, reaching number 71 on the Billboard 200. [15] On the Billboard dance chart, all cuts from Argybargy jointly peaked at number 76, and spent 6 weeks on that listing, in the summer of 1980. [16] Argybargy has seen critical acclaim from music writers.
A Round and a Bout is a live album by the British new wave group Squeeze, released in 1990 by I.R.S. Records and Deptford Fun City Records. A concert video was released with the same title, and contained mostly the same performances from the LP. The album spent one week at number 50 in the UK Albums Chart in April 1990. [2]