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Feminization of the male gaze. In the essay, "Medusa and the Female Gaze" (1990), [38] Susan Bowers explores the Medusa theory about the feminization of the male gaze, that women who assume the female gaze are societally perceived as psychologically dangerous women, because men both desire and fear the gaze that sexually objectifies a man in ...
Male gaze theory, popularized by Laura Mulvey, is a concept many feminist film critics have pointed to in classical Hollywood film-making. Laura Mulvey's theory on the Male Gaze describes how viewers respond to visual content. The term "male gaze" describes a sexualized form of seeing that allows men to objectify women.
The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film ...
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The site's critical consensus states "Although its subject calls for a more incisive treatment, Brainwashed: Sex-Camera-Power is a worthy primer on the male gaze in cinema." Peter Bradshaw of The Guardian calls Brainwashed "fierce and focused... a bracing blast of critical rigour, taking a clear, cool look at the unexamined assumptions behind ...
This concept exists as the reciprocal of the normative white spectator gaze. As Mulvey's essay [26] contextualizes the (male) gaze and its objectification of white women, hooks' essay [25] opens "oppositionality [as] a key paradigm in the feminist analysis of the 'gaze' and of scopophilic regimes in Western culture". [27]
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“It’s the male gaze. If I was making a story that was about that journey of motherhood and body acceptance, I feel like, I’m sorry, but that would have to be with a female filmmaker ...