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Bring It On: Music from the Motion Picture was released by Epic Records on August 22, 2000. It features multiple tracks from Blaque, who play Clovers cheerleaders in the film. [47] It also includes songs from Daphne & Celeste, 3LW, and a cover of the Toni Basil song "Mickey" by B*Witched. [48]
"Lovey Dovey" is a popular American rhythm and blues song originating in the 1950s and written by Eddie Curtis and Ahmet Ertegun, with the latter usually credited using his songwriter's pseudonym "Nugetre" (Ertegun spelled backwards).
"Bring It On" (Godsmack song), from the 2006 album Madden NFL 06:Soundtrack "Bring It On" (Hard-Fi song), from the 2011 album Killer Sounds "Bring It On" (Lenny Kravitz song), from the 2007 album It Is Time for a Love Revolution "Bring It On" (YoungBoy Never Broke Again song) "Bring It On", a 1993 song on the Geto Boys album Till Death Do Us Part
Over 20 years after Bring It On debuted in theaters, Gabrielle Union reveals to ET's Denny Directo that she is working on a new sequel. "We've been developing a sequel that centers on the [Clovers ...
It should only contain pages that are The Clovers songs or lists of The Clovers songs, as well as subcategories containing those things (themselves set categories). Topics about The Clovers songs in general should be placed in relevant topic categories .
The last surviving original member of the Clovers, Harold Winley, told NPR that "Ting-a-Ling" was one of many Clovers hits credited to a songwriter known as "Nugetre". When spelled backwards, it was a pen-name belonging to the co-founder of Atlantic Records, Ahmet Ertegun. Winley says the pen name was a joke. "He'd laugh at it," Winley says ...
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. [1] They had a top 30 US hit in 1959 with the Leiber and Stoller song " Love Potion No. 9 ".
In spite of the R&B genre that this song originated from, Webb managed to get his voice and the musical content to come together to produce the right result. According to the Record Collector magazine in 2013, his version was "a near-perfect example of British rock’n’roll at the tail end of the era".