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Legitimate theatre [a] is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement. [2] [3] Traditionally, performances of such theatre were termed legitimate drama, [4] [2] [3] while the abbreviation the legitimate refers to legitimate theatre or drama and legit is a noun referring both to such dramas and actors in these dramas.
The Lyceum Theatre (Broadway) article cites three sources for the proposition that it is the "oldest continuously operating legitimate theater", which all seem to mean no more than that it is the only Broadway theatre that made it all the way through the 20th century without ever playing films or being used (even briefly) as something other ...
Auditorium: The portion of a theater which contains the audience seating. [2] Avant-garde: Experimental or innovative works or people, derived from the French. [2] Balcony: An elevated portion of seating in the back of the auditorium. [1] Curtain Call: At the end of a live performance the cast will come out and do a bow while the audience ...
The theatre may also include its own lighting, scenic, costume and sound shops. In these shops each element of the show is constructed and prepared for each production. Call board: Literally a backstage bulletin board which contains information about a theatrical production including contact sheets, schedules, rehearsal time changes, etc.
As theatre grew, so also did theatre-based anti-theatricality. Barish comments that from our present vantage point, nineteenth-century attacks on theater frequently have the air of a psychomachia , that is, a dramatic expression of the battle of good versus evil .
An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [1] [2] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [3] or a unit of analysis for dividing a dramatic work into sequences.
Forum theatre is a type of theatre created by Brazilian theatre director Augusto Boal.It is one of the techniques under the umbrella term of Theatre of the Oppressed (TO). ). This relates to the engagement of spectators influencing and engaging with the performance as both spectators and actors, termed "spect-actors", with the power to stop and change the perform
Documentary theatre is theatre that uses pre-existing documentary material (such as newspapers, government reports, interviews, journals, and correspondences) as source material for stories about real events and people, frequently without altering the text in performance.