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Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
A fuzz-wah pedal is an effects unit containing both a fuzzbox and wah-wah pedal in series, allowing the user to distort ("wah") and use "fuzz" sounds as aesthetic effects on electric guitar or bass. They were developed to combine the sounds of psychedelic bands of the late 1960s–'70s.
The Big Muff Pi (π), often known simply as the Big Muff, is a "fuzzbox" effects pedal produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well, due to the Big Muff's squeaky frequency response.
The circuit was designed in the late 1960s by the Japanese company Honey, in the form of a multi effect called the Honey Psychedelic Machine. Later on, Honey was taken on by Shin-ei, who produced the effect separately (who also produced another well known fuzz box, the Shin-ei Companion FY-2) and imported in the USA by Unicord. The first Super ...
The Avatar was a synthesizer module virtually identical to the ARP Odyssey without a keyboard with an added 6-way "fuzzbox" distortion effect, intended to be played by a solid body electric guitar via a specially-mounted hexaphonic guitar pickup whose signals were then processed through discrete pitch-to-voltage converters. [3]
Roger Mayer is an electrical engineer who developed several electric guitar effects, including the Octavia, a fuzz effects pedal which also doubled signal frequency, with a sound that was not attainable by simply connecting an octave pedal and a fuzz pedal together.
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
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