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Nike and Athena are both associated with victory, which has resulted in contestation over the origins of Nike. [14] According to a paper by Harrison (as cited in Sikes, 1895) Nike was once a facet of the Greek goddess Athena, who was composed of Boulaia (good council), Ergane (skilled handcraft), and Nike (victory).
The Nike of Paionios is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios (Paeonius of Mende) between 425 BC and 420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms ...
The Nike wears a chiton, of which only the sleeves are visible, and a peplos with a long apoptygma, or an overfold, girt high around the goddess's waist that accentuates her body's contour. The garment she wears enhances the impression that she is flying, as it clings to her legs and billowes in the wind on either side of Nike.
The Victoria Romana from Hadrian's Library (Greek: Νίκη της Βιβλιοθήκης του Αδριανού) is a large sculpture of the Greek goddess of victory Nike (known to the Romans as Victoria) that once adorned Hadrian's Library, a large library built in Athens by the Roman Emperor Hadrian (r.
Victoria (or Nike) on a fresco from Pompeii, Neronian era. In ancient Roman religion Victoria was the deified personification of victory. She first appeared during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia.
The actor attended the 10th annual Breakthrough Prize ceremony.
The statue, in white Parian marble, depicts a winged woman, the goddess of Victory (Niké), alighting on the bow of a warship. The Nike is dressed in a long tunic (χιτών, chitôn) in a very fine fabric, with a folded flap and belted under the chest. It was attached to the shoulders by two thin straps (the restoration is not accurate).
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