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Poppy is a 1936 comedy film starring W. C. Fields and Rochelle Hudson. The film was based on a 1923 stage revue of the same name starring Fields and Madge Kennedy . This was the second film version of the revue featuring Fields, following Sally of the Sawdust in 1925 with Carol Dempster in the title role.
Title Director Cast Genre Notes Cain and Mabel: Lloyd Bacon: Marion Davies, Clark Gable, Allen Jenkins: Romantic comedy: Warner Bros. California Mail: Noel M. Smith: Dick Foran, Edmund Cobb, Milton Kibbee
The Last Four on Santa Cruz (1936), released nineteen days after Max Schreck’s death from a heart attack; Frankie and Johnnie (1936), released over two years after Lilyan Tashman's death from abdominal cancer. Counterfeit (1936) and Poppy (1936), both released just two months after character actor Tammany Young's death from a heart attack.
The following is an overview of 1936 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) [ edit ]
The Garbage Pail Kids Movie; G.I. Joe: The Movie; The Great Land of Small; Harry and the Hendersons [1] The Jetsons Meet the Flintstones; Mio in the Land of Faraway; Pinocchio and the Emperor of the Night; The Puppetoon Movie; Scooby-Doo Meets the Boo Brothers; The Secret Garden; Top Cat and the Beverly Hills Cats; Ultraman: The Adventure Begins
Hudson signed a contract with RKO Pictures on November 22, 1930, when she was 14 years old. [4]She may be best remembered today for costarring in Wild Boys of the Road (1933), playing Cosette in Les Misérables (1935), playing Mary Blair, the older sister of Shirley Temple's character in Curly Top, and for playing Natalie Wood's mother in Rebel Without a Cause (1955).
The full film. Sally of the Sawdust is a 1925 American silent comedy film directed by D. W. Griffith and starring W. C. Fields. It was based on the 1923 stage musical Poppy. [3] Fields would later star in a second film version, Poppy (1936).
Fields fought with studio producers, directors, and writers over the content of his films. He was determined to make a movie his way, with his own script and staging, and his choice of supporting players. Universal finally gave him the chance, and Never Give a Sucker an Even Break was the result. Fields chose most of the supporting cast.
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