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The Four Holy Beasts (四靈、四聖獸、or 四大神獸) are Chinese astronomical and cultural Four Benevolent Animals that are spread in the East Asian cultural sphere. They are mentioned in the Chinese classic Book of Rites [ 1 ] and includes the Dragon (龍) in the East, the Qilin (麟) in the West, the Turtle (龜) in the North, and the ...
Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being.
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Cruel Mistress was allegedly imbued with Scandinavian runic in a violent kabjā, making them tinīharūlā'ī ākāśīya, vā plānara banā'um̐dai (Celestial, plane-touched), similar to that of the Subtle Knife of Phillip Pullman, enscribed in the handle of the ceremonial blades, and as holding with tradition of Japanese katanas.
Makara (Hindu mythology) – half terrestrial animal in the frontal part (stag, deer, or elephant) and half aquatic animal in the hind part (usually of a fish, a seal, or a snake, though sometimes a peacock or even a floral tail is depicted) Mug-wamp - (Canadian) giant sturgeon monster said to inhabit Lake Temiskaming in Ontario. Name is of ...
As a talking bird, the raven also represents prophecy and insight. Ravens in stories often act as psychopomps , connecting the material world with the world of spirits. French anthropologist Claude Lévi-Strauss proposed a structuralist theory that suggests the raven (like the coyote ) obtained mythic status because it was a mediator animal ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The salamander in Christian art represents "faith over passion", according to one critic, [58] or a symbol of chastity in religious art, a view by Duchalais seconded by Émile Mâle. [59] [60] In the rose windows of Notre Dame de Paris, the figure of Chasity holds a shield depicting a salamander (though perhaps depicted rather bird-like). [60] [k]