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Nothing to Lose is a 1997 American buddy action comedy film starring Tim Robbins and Martin Lawrence. The film was written and directed by Steve Oedekerk, who also made a cameo appearance as a lip-synching security guard in the film. The film was released in July 1997 and went on to gross over US$40 million at the box office.
Sang Pencerah was released on 8 September 2010, over the Eid ul-Fitr holiday; [10] the increase in film attendance over the holiday is similar to blockbuster season for Hollywood films. [11] According to Bramantyo, Sang Pencerah was seen by 1.1 million people while in theatres; [12] a report from The Jakarta Globe says 1.2 million. It was the ...
Nothing to Lose (Forty Deuce album) or the title song, 2005; Nothing to Lose (Michael Learns to Rock album) or the title song, 1997; Nothing to Lose (Sanctus Real album) or the title song, 2001; Nothing to Lose or the Naughty by Nature title song, "Nothin' to Lose", from the 1997 film; Nothing to Lose, by Carpathian, 2006
Nothing to Lose: Music from and Inspired by the Motion Picture is the soundtrack to the 1997 comedy film, Nothing to Lose. It was released on July 1, 1997 through Tommy Boy Records . The soundtrack was very successful, peaking at #12 on the Billboard 200 and #5 on the Top R&B/Hip-Hop Albums and was certified gold on September 3, 1997.
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Title Director Cast Genre Notes 1950: Darah dan Doa: Usmar Ismail: 1951: Akibat: Awaludin: Enam Djam Di Djogdja: Usmar Ismail: Selamat Berdjuang, Masku! H Asby
Nothing to Lose features several similarities to David Morrell's 1972 novel, First Blood, including the fact that the lead character (a former soldier) is mistaken for a loiterer and harassed by local law enforcement. The name of the town in both novels is "Hope" and the theme of corrupt and bullying authority is also shared.
Bramantyo released his first short film, Tlutur, in 1998. [3] It dealt with a dancer whose leg was broken by an Indonesian Communist Party member. [4] This was followed by the television film Gelas-gelas Berdenting (Tinkling Glass) [3] Although initially reluctant to commercial films due to peer pressure in Yogyakarta, he later drifted towards more mainstream films.