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Title Director Cast Genre Notes The Age for Love: Frank Lloyd: Billie Dove, Edward Everett Horton, Lois Wilson: Comedy: United Artists: Air Eagles: Phil Whitman: Lloyd Hughes, Norman Kerry, Shirley Grey
He also scrapped plans to shoot the film in colour and changed to black and white. [4] The film's script was rewritten and the title was changed to Tabu: A Story of the South Seas to avoid potential legal issues with Colorart. [2] [4] This was the start of a poor working relationship between Flaherty and Murnau. Flaherty disliked the new script ...
Rich and Strange, released in the United States as East of Shanghai, is a 1931 British romance film directed by Alfred Hitchcock during his time in the British film industry. The film was adapted by Hitchcock, his wife Alma Reville , and Val Valentine from the 1930 novel by Dale Collins . [ 1 ]
Merely Mary Ann a 1931 American pre-Code romantic comedy drama film starring Janet Gaynor and Charles Farrell.Gaynor and Farrell made almost a dozen films together, including Frank Borzage's classics 7th Heaven (1927), Street Angel (1928), and Lucky Star (1929); Gaynor won the first Academy Award for Best Actress for the first two and F. W. Murnau's Sunrise: A Song of Two Humans.
The following is an overview of 1931 in film, ... December 23 – Tyrone Power, Sr., stage and film veteran, father of movie star Tyrone Power (born 1869)
This is a list of films produced or distributed by Universal Pictures in 1930–1939, founded in 1912 as the Universal Film Manufacturing Company. It is the main motion picture production and distribution arm of Universal Studios , a subsidiary of the NBCUniversal division of Comcast .
The Criminal Code is a 1931 American pre-Code romantic crime drama film directed by Howard Hawks and starring Walter Huston and Phillips Holmes.The screenplay, based on a 1929 play of the same name by Martin Flavin, was written by Fred Niblo Jr. and Seton I. Miller, who were nominated for Best Adaptation at the 4th Academy Awards but the award went to Howard Estabrook for Cimarron.
Although shot on a tight budget (Powell's own recollections varied between £4,500 and £8,000) [1] Rynox was exceptionally well received by contemporary critics. Writing in The Observer, noted critic C. A. Lejeune presciently remarked: "Powell's Rynox shows what a good movie brain can do... this is the sort of pressure under which a real talent is shot red-hot into the world."