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The love that dare not speak its name is a phrase from the last line of the poem "Two Loves" by Lord Alfred Douglas, written in September 1892 and published in the Oxford magazine The Chameleon in December 1894. It was mentioned at Oscar Wilde's gross indecency trial and is usually interpreted as a euphemism for homosexuality. [1]
Charmides was Oscar Wilde's longest [1] and one of his most controversial poems. It was first published in his 1881 collection Poems . The story is original to Wilde, though it takes some hints from Lucian of Samosata and other ancient writers; it tells a tale of transgressive sexual passion in a mythological setting in ancient Greece.
The first more or less objective biography of Wilde came about when Hesketh Pearson wrote Oscar Wilde: His Life and Wit (1946). [251] In 1954 Wilde's son Vyvyan Holland published his memoir Son of Oscar Wilde, which recounts the difficulties Wilde's wife and children faced after his imprisonment. [252] It was revised and updated by Merlin ...
The complete works of Oscar Wilde: vol. 1, Poems and poems in prose, ed. by Bobby Fong and Karl Beckson (Oxford: Oxford University Press, 2000) Mercurio, Jeremiah Romano, "Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose", Victorian Network 3:1 (2011), pp. 3–21
The soul is wiser than we are, writes Wilde, it is the concentrated racial experience revealed by the imagination. Criticism is above reason, sincerity and fairness; it is necessarily subjective. It is increasingly more to criticism than to creation that future belongs as its subject matter and the need to impose form on chaos constantly increases.
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde, the last of his four drawing-room plays, following Lady Windermere's Fan (1892), A Woman of No Importance (1893) and An Ideal Husband (1895).
Pages 683–780. (This is an expanded version of the 1962 book The Letters of Oscar Wilde edited by Rupert Hart-Davis; both versions contain the text of the British Museum manuscript). Ian Small (editor): The Complete Works of Oscar Wilde. Volume II: De Profundis; Epistola: In Carcere et Vinculis (2005). Oxford University Press, Oxford.