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John Locke (1847–1889) was an Irish writer and Fenian activist, exiled to the United States, [1] and most famous for writing "Dawn on the Irish Coast", also known as "The Exiles Return, or Morning on the Irish coast".
Havelock Ellis wrote that Nicholson's verse showed “delicate charm combined with high technical skill.” [6]. Nicholson's first book of poems Love in Earnest (1892) was dedicated to the memory of his mother, but the first section, a sequence of 50 numbered sonnets (which open with "Some lightly love, but mine is Love in Earnest -/My heart is ever faithful while it hears/An echo of itself in ...
Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall. Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas.
However despite the troubled mood of the narrator, it is the "sweet love" remembered that keeps his spirts up. [9] Camille Paglia states that there is nothing in the poem that would provide a clue as to whether the poem is directed towards a man or a woman, but assumes, as many do, that Sonnet 29 was written about the young man. [10]
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
Westron Wynde is an early 16th-century song whose tune was used as the basis (cantus firmus) of Masses by English composers John Taverner, Christopher Tye and John Sheppard. The tune first appears with words in a partbook of around 1530, catalogued by the British Library as Royal Appendix MS 58. [ 1 ]
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"Matthew, Mark, Luke and John", also known as the "Black Paternoster", is an English children's bedtime prayer and nursery rhyme. It has a Roud Folk Song Index number of 1704. It may have origins in ancient Babylonian prayers and was being used in a Christian version in late Medieval Germany. The earliest extant version in English can be traced ...