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Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913–2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100 ...
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Op. 10, 12 Études: Étude in C major (1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude in E ♭ minor (1830) Étude in C major ...
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Excerpt from Étude Op. 10, No. 1. Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the first piece of his Études Op. 10.
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Excerpt from Étude Op. 10, No. 4. Étude Op. 10, No. 4 in C ♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fourth piece of his Études Op. 10.
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