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Déjà Vu, is the second studio album by American folk rock group Crosby, Stills & Nash, and their first as a quartet with Neil Young. Released on March 11, 1970, by Atlantic Records, it topped the Billboard 200 chart for one week and generated three Top 40 singles: "Woodstock", "Teach Your Children", and "Our House". It was re-released in 1977 ...
CSNY/Déjà Vu is a 2008 documentary film directed by Bernard Shakey, a pseudonym for Neil Young.It focuses on the career of Crosby, Stills, Nash & Young, its musical connection to its audience and the turbulent times with which its music is associated as the band goes on their 2006 Freedom of Speech tour.
Two minutes into Crosby, Stills, Nash & Young’s "Déjà Vu" album, there’s a moment of true glory. What had been a bluesy shuffle about a fractured relationship stops, the dark clouds part ...
The seminal Crosby, Stills, Nash & Young Déjà Vu album is now seen through a similar lens, and a massive reissue box set has shed a glowing and loving… Déjà Vu at 50: Looking Back at Crosby ...
"Helpless" is a song written by Canadian singer-songwriter Neil Young, recorded by Crosby, Stills, Nash & Young (CSNY) on their 1970 album Déjà Vu. Young played the song with The Band in the group's final concert with its original lineup, The Last Waltz , on American Thanksgiving Day 1976 at San Francisco's Winterland Ballroom , with Joni ...
"Carry On" is a song by American folk rock band Crosby, Stills, Nash & Young. Written by Stephen Stills, it is the opening track to their second album Déjà Vu (1970). It was released as the B-side of "Teach Your Children", but went on to receive steady airplay of its own from AOR radio stations.
Crosby, Stills, Nash & Young – “Compass” Crosby hit rock bottom as a heroin and cocaine addict in the ‘80s, spending nine months in a Texas prison in 1985 and 1986.
Music critic Johnny Rogan described "Country Girl" as "magnificent," stating that "this represented the scale of Young's artistic ambition as a member of CSN&Y." [1] Rogan also praised David Crosby's, Stephen Stills' and Graham Nash's backing vocals as well as the Phil Spector-esque "grandiose production."