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Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [28] to the extent that "virtually every play is shot through with sexual puns."
In fantasy, the presence of the supernatural code is perceived as problematic, something that draws special attention—where in magical realism, the presence of the supernatural is accepted. In fantasy, while authorial reticence creates a disturbing effect on the reader, it works to integrate the supernatural into the natural framework in ...
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .
Hamlet seems the most educated in the rhetoric of all the characters, using anaphora, as the king does, but also asyndeton and highly developed metaphors, while at the same time managing to be precise and unflowery (as when he explains his inward emotion to his mother, saying "But I have that within which passes show, / These but the trappings ...
Shakespeare added hundreds of new words to the English language, including many commonly used words and colorful expressions that we still use today.
Cressida is later exiled from Troy and quickly takes up with another man proving love is fickle and fleeting. Other notable departures show that the Greek heroes are anything but heroic, showing Shakespeare satirized revered figures like Achilles as childish and barbaric, and sympathized with the pragmatic Hector. [32]
[35] Shakespeare begins the play by using the words "fair" and "foul" in the first speeches of the witches and Macbeth. In the words of Jonathan Gil Harris, the play expresses the "horror unleashed by a supposedly loyal subject who seeks to kill a king and the treasonous role of equivocation.
In Harold Bloom's words, Shakespeare "invented the formula that the sexual becomes the erotic when crossed by the shadow of death". [181] Of Shakespeare's works, Romeo and Juliet has generated the most—and the most varied—adaptations, including prose and verse narratives, drama, opera, orchestral and choral music, ballet, film, television ...