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Millennium 's genesis stemmed from "Irresistible", a second-season episode of The X-Files penned by Carter. [1] Influence was also drawn from the works of Nostradamus, and the increasing popular interest in eschatology ahead of the coming millennium. [2] The series began airing in the Friday timeslot formerly occupied by The X-Files. [3] "
Millennium is an American television series created by Chris Carter (creator of The X-Files), which aired on Fox from October 25, 1996, to May 21, 1999. The series follows the investigations of ex-FBI agent Frank Black (Lance Henriksen), now a consultant, with the ability to see inside the minds of criminals, working for a mysterious organization known as the Millennium Group.
Peter Wunstorf was nominated for an American Society of Cinematographers award for his work on the pilot episode. [1] Lance Henriksen was nominated for a Golden Globe Award for his portrayal of Frank Black but lost to E.R. performer, Anthony Edwards. [1] Co-star Brittany Tiplady was later nominated for a Young Artist Award but failed to win. [3]
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Millennium also earned a nomination for Outstanding Sound Editing for a Series, losing the award to ER. [12] The season also produced a Bram Stoker Award nomination in 1999, for Darin Morgan's episode "Somehow, Satan Got Behind Me"; the award was won jointly by Bill Condon for Gods and Monsters and Alex Proyas, David S. Goyer and Lem Dobbs for ...
"The Mikado" is the first episode of Millennium to have been written by Michael R. Perry, [1] who would go on to pen a further four episodes in the third season. [2] The episode is the final one helmed by director Roderick J. Pridy, who had also taken the reins on "Covenant" in the first season. [3]
"'Dead Letters" is the third episode of the first season of the American crime-thriller television series Millennium. It premiered on the Fox network on November 8, 1996. The episode was written by Glen Morgan and James Wong, and directed by Thomas J. Wright. "Dead Letters" featured guest appearances by Chris Ellis, Ron Halder and James Morrison.
To this end, the season ended with a seven-episode story arc intended to reduce the series' conflicts down to struggle between two men, rather than larger factions or groups—Black representing the viewer's point of view and Peter Watts (Terry O'Quinn) representing the ideals of the Millennium Group, with both convinced their beliefs are the ...