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The Five Mystical Songs are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. [1] The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection The Temple: Sacred Poems.
Folk Songs of the Four Seasons is a cantata for women's voices with orchestra or piano by English composer Ralph Vaughan Williams written in 1949. [1] Based on English folk songs, some of which he had collected himself in the early 20th century, the work was commissioned by the Women's Institute for a Singing Festival held at the Royal Albert Hall on 15 June 1950.
Love's minstrels; 4. Heart's haven; 5. Death-in-Love; 6. Love's last gift; Two Vocal Duets, for soprano, baritone and violin with piano, setting texts by Walt Whitman (1904) Songs of Travel, song cycle for baritone and piano, setting texts by R. L. Stevenson (1901–04). Includes "The Vagabond". Songs 1 3 8 arranged for baritone and orchestra ...
They were based on folk songs Vaughan Williams had collected in the English county of Norfolk, in particular the fishing port of King's Lynn in January 1905. Only the first rhapsody survives in its entirety, having been revised by the composer in 1914. The second exists in fragmentary form, and has been completed by other hands.
Vaughan Williams c. 1920. Ralph Vaughan Williams OM (/ ˌ r eɪ f v ɔː n ˈ w ɪ l j ə m z / ⓘ RAYF vawn WIL-yəmz; [1] [n 1] 12 October 1872 – 26 August 1958) was an English composer. . His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty yea
Vaughan Williams in 1955. The Symphony No. 9 in E minor was the last symphony written by the English composer Ralph Vaughan Williams.He composed it during 1956 and 1957, and it was given its premiere performance in London by the Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent on 2 April 1958, in the composer's eighty-sixth year.
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Other changes include the addition of rehearsal numbers to the score and parts, the titles of the folk songs added where they occur in the music, the horns notated in F in the score instead of in E ♭, the separation of the string bass from the tuba into its own part, and the percussion split into two parts.