Search results
Results from the WOW.Com Content Network
Theme and Variations is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3.The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch.
The Four Temperaments or Theme and Four Variations (The Four Temperaments) [1] [2] is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine , [ 1 ] the score was ultimately completed as a commission for George Balanchine , who subsequently choreographed it as a neoclassical ballet ...
Paul Hindemith's Theme and Four Variations for string orchestra and piano is also known as The Four Temperaments: although originally conceived as a ballet for Léonide Massine, [30] [31] the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet, using the theory of the ...
Variations on a theme by another composer. These are usually written as discrete sets of variations. There are hundreds of examples, including: Ludwig van Beethoven's Diabelli Variations [citation needed] Johannes Brahms's Variations on a Theme by Haydn (which theme was probably not written by Haydn at all) [citation needed]
Introduction and Variations on a Theme by Mozart (Sor) Variations and Fugue on a Theme of Purcell, subtitled The Young Person's Guide to the Orchestra; Variations, Interlude and Finale on a Theme by Rameau; Variations on a Theme by Tchaikovsky (Arensky) Variations on a Theme by William Carlos Williams, a poem by Kenneth Koch; Variations on a ...
Anton Arensky's Variations on a Theme by Tchaikovsky (1894) is among his most popular compositions. Variation sets have also been composed by notable twentieth-century composers, including Sergei Rachmaninoff (Rhapsody on a Theme of Paganini for piano and orchestra, and his variations for solo piano on themes by Chopin and Corelli),
Variations on a Theme of Mozart Op. 42 (for two pianos) Variations on a Theme of Mozart Op. 75 (orchestral version) George Malcolm: Variations on a Theme of Mozart (4 harpsichords) Henry Maylath: La ci darem Varied; Franz Xaver Wolfgang Mozart: Variations on Minuet from Don Giovanni, Op. 2; Max Reger: Variations and Fugue on a Theme by Mozart ...
Wiley calls this movement "resolutely melodic." A change from B to B ♭ "produces tension in the misalignment of theme and key," he comments. The first theme group returns in the key of the second, then to a bridge. He then returns to the home key and reprises the second theme group in the key of the first and follows it with a lengthy ...