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"Baby's in Black" is a song by the English rock band the Beatles, co-written by John Lennon and Paul McCartney. [2] [3] It appears on the United Kingdom album Beatles for Sale [4] and on the United States album Beatles '65, both released in 1964. [5]
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
"I Will" is a song by the English rock band the Beatles, from their 1968 double album The Beatles (also known as "the White Album"). It was written by Paul McCartney (credited to Lennon–McCartney) and features him on lead vocal, guitar, and "vocal bass".
The Beatles began recording the song on 29 March 1967, the day before they posed for the Sgt. Pepper album cover. They recorded 10 takes of the song, wrapping up sessions at 5:45 in the morning. [10] The backing track consisted of Starr on drums, McCartney playing piano, Harrison playing lead guitar and Lennon beating a cowbell.
The song is in the key of C and the chorus ("Here comes the Sun King") involves a I (C)–Imaj 7 (Cmaj 7 chord)–v 7 (Gm 7 chord)–VI 7 (A 7 chord) progression against a C–B–B ♭ –A vocal harmony. [4] It also features 7th and 6th extensions which author Dominic Pedler described as "psychedelic". [5]
Some of these include one of the first uses of guitar feedback in music ("I Feel Fine"), [33] the first use of a fade-in in a pop song ("Eight Days a Week"), [34] [35] use of tape loops ("Tomorrow Never Knows"), [36] using the recording studio as an instrument (Revolver and Sgt. Pepper) [37] and popularising the Indian sitar in pop music ...
[7] [8] Beatles author Ian MacDonald speculates that the guitar arpeggios at the end of the track were influenced by "I Want You (She's So Heavy)" and the middle section of "Here Comes the Sun", and that the overall structure was inspired by Lennon's "Happiness Is a Warm Gun" from the previous year's album The Beatles, which also joined ...
He asserts that its musical qualities and lyricism provided a template for the success of the Beatles' later music. [37] Howard Kramer of the Rock and Roll Hall of Fame writes that the song illustrates the band's earliest influences, joining Everly Brothers-style harmonies with Brill Building-type songwriting. [38]
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