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Sang de boeuf glaze, or sang-de-boeuf, is a deep red colour of ceramic glaze, first appearing in Chinese porcelain at the start of the 18th century. The name is French, meaning " ox blood" (or cow blood), and the glaze and the colour sang de boeuf are also called ox-blood or oxblood in English, in this and other contexts.
Overall, Ge remains somewhat elusive, but basically comprises two types—one with a 'warm rice-yellow glaze and two sets of crackles, a more prominent set of darker colour interspersed with a finer set of reddish lines' (called chin-ssu t'ieh-hsien or 'golden floss and iron threads', which can just faintly be detected on this bowl). [61]
In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Figurines, art pottery, vases, urns, clay pipes [15] Chase Originals (Adele Chase) Berkeley: 1930s-1950s: Art ware & figurines [11] Environmental Ceramics, Inc. San Francisco: 1960s: Kitchenware [16] Evans Ceramics Inc. Healdsburg: 1974-Art ware & cookware [14] Garden City Pottery Company: San Jose: 1902–1979: Crockery, tableware, art ware ...
The first pieces produced included a ginger jar in House and Bridge, a large shape 14 vase in Solitude, a Stamford shape teapot milk and sugar in Pink Roof Cottage, a Conical bowl in Tennis, and a wall plaque in Lightning; there was also a Latona large shape 14 vase that was exclusively available to members of the CCCC.
The kilns were large producers of roof tiles, including the ornamented or fully sculptural elements used for larger buildings. They also produced large but elegant storage jars called martabans, which were perhaps sometimes distributed containing food products, and sometimes as empty vessels.
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