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The official music video for Valance's version features a compilation of Valance herself with a variety of different looks and sexualised outfits whilst performing the song. The video opens with a close-up of Valance's lips, painted with a burnished red gloss, as she mimes a kiss at the viewer.
"Mr. Pinstripe Suit" (1998) by Big Bad Voodoo Daddy "Oh Yeah" (2003) by Big Bad Voodoo Daddy "War Pigs" (1970) by Black Sabbath "Mordred's Song" (1995) by Blind Guardian "Then Came the Last Days of May" (1972) by Blue Öyster Cult "Unpaid Intern" (2021) by Bo Burnham "Freestyler" (2000) by Bomfunk MC's "China Girl" (1983) by David Bowie and ...
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"Spanish Eyes" (Backstreet Boys song) from the album Millennium "Spanish Eyes" (Madonna song) from the album Like a Prayer "Spanish Eyes" (U2 song) from the album The Joshua Tree, appeared as the third track on the bonus audio CD "Spanish Eyes", a song by Bruce Springsteen on his 2010 album The Promise "Spanish Eyes", a song by Ricky Martin on ...
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
"Spanish Is the Loving Tongue" is a song based on the poem "A Border Affair" written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon. [1]
One of three Spanish themed albums that Cole recorded, it was followed by A Mis Amigos (1959) and by More Cole Español in 1962. The orchestral music was recorded in Havana, Cuba, and Cole added his vocals in June in Los Angeles, California. [3] However the song "Tú, mi delirio" is instrumental; Cole overdubbed piano, rather than vocals to ...
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955. The song has also been recorded by Caterina Valente (1959) Nat ...