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The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin.Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan, (1970) and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind (both 2001).
Le Guin's first published work was the poem "Folksong from the Montayna Province" in 1959, while her first short story was "An die Musik", in 1961; both were set in her fictional country of Orsinia. Her first professional publication was the short story "April in Paris" in 1962, while her first published novel was Rocannon's World , released by ...
The Left Hand of Darkness is a science fiction novel by the American writer Ursula K. Le Guin.Published in 1969, it became immensely popular, and established Le Guin's status as a major author of science fiction. [7]
An omnibus edition of all of Le Guin's Earthsea works was released on the 50th anniversary of the publication of A Wizard of Earthsea in 2018. [29] Le Guin originally intended for A Wizard of Earthsea to be a standalone novel, but decided to write a sequel after considering the loose ends in the first book, and The Tombs of Atuan was released ...
The Hainish Cycle consists of a number of science fiction novels and stories by Ursula K. Le Guin.It is set in a future history in which civilizations of human beings on planets orbiting a number of nearby stars, including Terra ("Earth"), are contacting each other for the first time and establishing diplomatic relations, and setting up a confederacy under the guidance of the oldest of the ...
The Books of Earthsea is a collection of fantasy fiction and commentary by American author Ursula K. Le Guin, published by Saga Press in 2018 on the 50th anniversary of the publication of the first book of the series, A Wizard of Earthsea.
"The Ones Who Walk Away from Omelas" (/ ˈ oʊ m ə ˌ l ɑː s / [1]) is a 1973 short work of philosophical fiction by American writer Ursula K. Le Guin. With deliberately both vague and vivid descriptions, the narrator depicts a summer festival in the utopian city of Omelas, whose prosperity depends on the perpetual misery of a single child ...
Susan Wood wrote that the collection was a good showcase of Le Guin's "rapid development as a writer" in the period following the publication of her first stories, [42] and that the collection was essential to understanding Le Guin. [5] The Salt Lake Tribune called the book a "collection of excellence only a handful of writers can match". [43]