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Gargoyles of Notre-Dame de Paris Dragon-headed gargoyle of the Tallinn Town Hall, Estonia Gargoyle of the Vasa Chapel at Wawel in Kraków, Poland. In architecture, and specifically Gothic architecture, a gargoyle (/ ˈ ɡ ɑːr ɡ ɔɪ l /) is a carved or formed grotesque [1]: 6–8 with a spout designed to convey water from a roof and away from the side of a building, thereby preventing it ...
This is an index of lists of mythological figures from ancient Greek religion and mythology. List of Greek deities; List of mortals in Greek mythology;
Grotesque are often called gargoyles, although the term gargoyle refers to figures carved specifically to drain water away from the sides of buildings. In the Middle Ages, the term babewyn was used to refer to both gargoyles and chimerae. [2] This word is derived from the Italian word babbuino, which means "baboon".
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Petrifaction is a key element of the biology of several major characters in the animated series Gargoyles; the titular gargoyles are all demonic-looking warriors at night, but when the sun rises, they turn to stone until sunset, with a key challenge of their existences being finding a place to 'sleep' during the day where they will not be ...
His signs and symbols include the laurel wreath, bow and arrow, and lyre. His sacred animals include roe deer, swans, and pythons. Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
In Greek mythology Python was the earth-dragon of Delphi, always represented in the vase-paintings and by sculptors as a serpent. Various myths represented Python as being either male or female (a drakaina). Python was the chthonic enemy of Apollo, who slew it and remade its former home his own oracle, the most famous in Greece.