Search results
Results from the WOW.Com Content Network
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
He is also the Abbot of Huong Son temple (Ha Tinh), Quan Am Dong Hai temple (Soc Trang), and Giac Ngo temple (Ba Ria - Vung Tau). [ 2 ] In 1992 he went to India for higher education and got his MA degree in philosophy in 1997 from Delhi University and D.Phil. degree from Allahabad University in 2001, respectively.
Hoa businessmen also controlled trade in strategic wholesale markets such as Binh Tay, An Dong, and Soai Kinh Lam. [226] In addition, the Hoa also controlled the entire wholesale system, where upwards 60 percent of retail goods were distributed by Hoa entrepreneurs throughout various Southern Vietnamese provinces and into the neighbouring ...
TRAN LE Quoc Toan TRAN LE Q. T. Quoc Toan TRAN LE Q. T. TRAN LE [D] Bùi Hoàng Việt Anh: Bùi Hoàng: Việt Anh (no middle name) B. H. Việt Anh BUI HOANG Viet Anh BUI HOANG V. A. Viet Anh BUI HOANG V. A. BUI HOANG [E] Tôn Nữ Thị Ninh: Tôn Nữ: Thị Ninh T. N. Thị Ninh T. N. T. Ninh [B] TON NU Thi Ninh TON NU T. N. Thi Ninh TON ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
Sai Lầm Vẫn Là Anh (Nhạc hoa, Lời việt: Chu Minh Kỳ) - Johnny Dung God Is A Girl (Nhạc Ngoài Quốc, Lời: Lu Anh) - Trực Làm, Trực Linh Liên Khúc: Còn Thương Rau Đắng Mọc Sau Hè, Bông Bí Vàng (Bác Sơn) - Hương Lần
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
The Trung sisters' defeat in 43 CE also subsequently coincided with the end of Dong Son culture and Dong Son metallurgical drum tradition that had been flourished in Northern Vietnam for centuries, [35] as the Han tightened their grip over the region, culminating in process that transformed the non-Sinic people. [36]