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The Nocturnes, Op. 32 is a set of two nocturnes for solo piano written and published by Frédéric Chopin in 1837. [ 1 ] [ 2 ] The nocturnes are dedicated to Madame Camile de Billing, [ 2 ] and were his ninth and tenth nocturnes published.
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole.
Sergei Lyapunov: Nocturne, for solo piano, in D-flat major, op. 8; Donald Martino: Notturno, for six instrumentalists (1973, winner of the 1974 Pulitzer Prize for Music) Felix Mendelssohn Bartholdy wrote the incidental music, for William Shakespeare's play, A Midsummer Night's Dream; Johann Kaspar Mertz: 3 Nocturnes for Guitar, opus 4.
Nocturne in C minor, Op. posth. (Chopin) Nocturne in C-sharp minor, Op. posth. (Chopin) This page was last edited on 1 March 2023, at 10:54 (UTC). Text is ...
Chopin, Nocturne in B major, Op. 62, No. 1 Secondary theme. The Nocturne in B major opens with two introductory chords. After a pause, a melody in B major emerges. At first, the action proceeds gently and smoothly (dolce, legato). The piece soon turns into declamation, led by a voice in the upper register, and after a rapid scale in the right ...
Chopin,_Nocturne_op_32_no_1.ogg (Ogg Vorbis sound file, length 4 min 43 s, 137 kbps, file size: 4.63 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
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