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The song is noted for its heavy use of the Mellotron. [3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War. [3] [5] The song's title was used as the name for a live album of recordings done by the original King Crimson ...
Epitaph is a live 4-CD set of concert performances and radio sessions from 1969 by the band King Crimson, released in 1997.Volumes 1 and 2 (Discs 1 and 2) were available in retail shops, and the set included a flyer with instructions on how to obtain Volumes 3 and 4 (Discs 3 and 4) via mail-order.
Live at the Marquee is a live album by the band King Crimson, released through the King Crimson Collectors' Club in October 1998. ... "Epitaph" (Fripp, Giles, Lake ...
The CD also includes two bonus tracks. The first is a series of excerpts from a press conference, held by all five members of the original King Crimson along with the band's road management. This conference was recorded at the release of King Crimson's Epitaph box set, featuring four CDs of concert material by the original band. The conference ...
The lyrics of "21st Century Schizoid Man" were written by Peter Sinfield and consist chiefly of disconnected phrases which present a series of images in a fixed pattern. . The first line of each verse consists of two short phrases, while the second line is a single, more specific image, and the third is a longer phrase or a full sente
The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014. [6] King Crimson's 2014 tour marked guitarist, founder and leader Robert Fripp's return to active service after a long legal battle with Universal Music Group. This line-up of King ...
Epitaph (King Crimson album) G. ... Music Is Our Friend: Live in Washington and Albany; N. The Night Watch (album) P.
This album contains an important performance in King Crimson's career, being the source of the improvisations "Trio" and "Starless and Bible Black", the Fripp instrumental "Fracture" and the intro to the song "The Night Watch", all of which were included, with some editing, in the 1974 album Starless and Bible Black.