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Thomas Tallis (/ ˈ t æ l ɪ s /; [2] also Tallys or Talles; c. 1505 – 23 November 1585 [n 1]) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. Collins described it in 1929 as Tallis's "crowning achievement", along with his Lamentations. [1]
Thomas Tallis, a prominent musician of the Chapel Royal at the time, was among the first to write sacred music in English. [ 7 ] "If Ye Love Me" is a setting for an a cappella choir of four voice parts, and it is a noted example of this Reformation compositional style, essentially homophonic [ citation needed ] but with some elaboration and ...
Thomas Tallis, 18th-century engraving; a posthumous, invented portrait [1] by Gerard Vandergucht This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). Masses
The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival , and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras in various countries.
The Tallis Festival was an annual music festival based on the work of the composer Thomas Tallis.It was hosted by Exmoor Singers of London from 1990 to 2017. [1] The festival usually included Thomas Tallis's Spem in alium for 40-part choir, but in addition commissioned new works by modern composers. [1]
Ye Sacred Muses is William Byrd's Musical elegy on the death of his colleague and mentor, Thomas Tallis, in the form of a secular madrigal. It is scored for 5 voices (usually four viols and countertenor), though the vocal part is scored for treble voice, or a cappella SATTB choir. The words are:- Ye sacred Muses, race of Jove,
Thomas Tallis: c. 1505 1585 Magnificat (a 4) in Dorian Service: Vincenzo Ruffo: c. 1508 1587 Magnificats Antonio de Cabezón: 1510 1566 sets of six or seven Magnificat verses in eight tones Christian Hollander: c. 1510–15 1568–69 Ten Magnificats (using eight tones, two versions in seventh and eight tone) Cipriano de Rore: 1515–16 1565