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While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
Albert Charles Paul Marie Roussel (French pronunciation: [albɛʁ ʃaʁl pɔl maʁi ʁusɛl]; 5 April 1869 – 23 August 1937) was a French composer. He spent seven years as a midshipman , turned to music as an adult, and became one of the most prominent French composers of the interwar period .
129 Albert Roussel. 130 Anton Rubinstein. 131 Joseph Ryelandt. ... Cycle of Symphonic Poems from Czech History (1915–17) Heikki Suolahti. Hades, Op. 10 (1932)
Shock Diamonds (tone poem) Siegfried Idyll; Silent Spring (composition) Son et lumière (composition) A Song of Islands; The Sorcerer's Apprentice (Dukas) Stenka Razin (Glazunov) A Summer's Tale (Suk) Symphonic Sketches
Sadko, Op. 5, is a Tableau musical, or Musical picture, by Nikolai Rimsky-Korsakov, written in 1867 and revised in 1869 and 1892.It is sometimes called the first symphonic poem written in Russia. [1]
Typical of Roussel's earlier works, the music is impressionistic, much in the style of his countrymen Claude Debussy and Maurice Ravel. It is lushly orchestrated. It is lushly orchestrated. Composed to order in only two months, the music was highly regarded for its "inventive counterpoints, bounding scherzos, gay and uneven rhythms, and ...
Raymond Roussel (1895) Raymond Roussel ( French pronunciation: [ʁɛmɔ̃ ʁusɛl] ; 20 January 1877 – 14 July 1933) was a French poet, novelist, playwright, musician, and chess enthusiast. Through his novels, poems, and plays he exerted a profound influence on certain groups within 20th century French literature , including the Surrealists ...
Both these forms of alienation are present in Byron's poem and according to some critics may have influenced Liszt's tonal and formal plan of Tasso, as well. The secondary theme is in E major , a relatively distant major key of a raised third in a minor-key piece.