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The melody arranged by Ongaku Torishirabe-gakari was included in Collection of Japanese Koto Music issued in 1888, for beginning koto students in the Tokyo Academy of Music. [ 4 ] Often, It is the first piece that koto beginners learn because they can play any phrase by picking closer strings without skipping to distant strings. [ 2 ]
The song was first publicly performed the same year at a concert hosted by the Greater Japan Music Society at the Rokumeikan. It was considered the first Western-style military song in Japan and the first to become popular across the country, although it was initially believed to be difficult to sing for Japanese unaccustomed to modulation. [2]
Taki's original version of the song is a B minor song, but Kosaku Yamada's slow-paced nostalgic D minor version is also popular as an accompanied song. Taki's original version of the song uses E♯ on the second bar , but the modern version usually uses E probably because the original version did not fit the traditional Japanese music .
for voice and piano: Japanese folk song Vocal: 1983: 島へ: To the Island (Shima e) for voice and piano: words by Mitsuru Izawa: Vocal: 1985: 明日ハ晴レカナ、曇リカナ: Will Tomorrow, I Wonder, Be Cloudy or Clear? (Ashita wa hare kana, kumori kana) for voice and piano: words by the composer Vocal: 1985: ぽつねん: All Alone ...
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In scale on D with auxiliary notes (F) & (C). 1-b2-(b3)-4-5-b6-(b7) Play ⓘ. More recent theory [ 2 ] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose ...
There are three sections to the song's lyrics: standard Japanese, numbers and coded Japanese. The numbers are a code that represents the letters of the Latin alphabet (1=A, 26=Z). When decoded, the numbers (3 25 15 21 23 and 1) wrote the song's name in wāpuro rōmaji (C Y O U W A). [ 4 ]
The iwato scale is a musical scale that is similar to the Locrian mode (spelled 1 b2 b3 4 b5 b6 b7), seventh mode of the major scale, different in that it has no 3rd or 6th notes, thus making it pentatonic. Its spelling is therefore 1 b2 4 b5 b7. It is used in traditional Japanese music for the koto. It is a mode of the Hirajōshi scale.