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"Row, Row, Row Your Boat" is an English language nursery rhyme and a popular children's song, of American origin, often sung in a round. It has a Roud Folk Song Index number of 19236. Lyrics
A man works a cornfield on St. Helena Island, where "Michael Row the Boat Ashore" was first attested. "Michael, Row the Boat Ashore" (also called "Michael Rowed the Boat Ashore", "Michael, Row Your Boat Ashore", or "Michael, Row That Gospel Boat") is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. [2]
Creator of Row Row Row Your Boat Eliphalet Oram Lyte (June 29, 1842 – January 3, 1913) was an American teacher and author of grammar and composition textbooks. He is credited as the composer of the tune to the popular song " Row, Row, Row Your Boat " in the publication The Franklin Square Song Collection (1881, New York).
This is easiest with one chord, as in "Row, Row, Row Your Boat". Play melody ⓘ A new part can join the singing by starting at the beginning whenever another part reaches any asterisk in the above music. If one ignores the eighth notes that pass between the main chords, every single note is in the tonic triad—in this case, a C, E, or G.
Repeating canons in which all voices are musically identical are called rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples.
Saletan is responsible for the modern rediscovery, in the mid-1950s, of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". In 1955, he was the first performer to appear on Boston's educational television station, WGBH. In 1969, Saletan was the first musical guest to appear on Sesame Street.
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In European classical music, imitative writing was featured heavily in the highly polyphonic compositions of the Renaissance and Baroque eras.A more improvisatory form of imitation can be found in Arab and Indian vocal music where the instrumentalist may accompany the vocalist in a vocal improvisation with imitation.