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Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
Ornamental or decorative art can usually be analysed into a number of different elements, which can be called motifs. These may often, as in textile art, be repeated many times in a pattern. Important examples in Western art include acanthus, egg and dart, [2] and various types of scrollwork.
Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. [8] One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks.
Acanthus leaves were the aesthetic basis for capitals in the Corinthian order of architecture; Several species, especially A. balcanicus, A. spinosus and A. mollis, are grown as ornamental plants. Acanthus leaves also have many medicinal uses.
A foliate head in the shape of an acanthus leaf: a corbel supporting the Bamberg Horseman, Bamberg Cathedral, Germany, early 13th century. The Green Man, also known as a foliate head, [1] is a motif in architecture and art, of a face made of, or completely surrounded by, foliage, which normally spreads out from the centre of the face. [2]
Acanthus arboreus grows best in well-draining soil under full sun to partial shade and is adaptable to cooler climates, enduring temperatures as low as –5°C. [4] The plant features spoon-shaped, spiny-edged green leaves and produces pink flowers on tall stems during summer. It can reach heights of 4 to 19 feet and is known for its drought ...
Acanthaceae (/ æ k æ n ˈ θ eɪ s iː ˌ aɪ,-s i ˌ i /) is a family (the acanthus family) of dicotyledonous flowering plants containing almost 250 genera and about 2500 species. Most are tropical herbs , shrubs , or twining vines; some are epiphytes .
A further style of textile is a vestment illustrated in a miniature portrait of Saint Aethelwold in his Benedictional (see above), which shows the edge of what appears to be a huge acanthus "flower" (a term used in several documentary records) covering the wearer's back and shoulders. Other written sources mention other large-scale compositions.