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Amelia Jenks Bloomer (May 27, 1818 – December 30, 1894) was an American newspaper editor, women's rights and temperance advocate. Even though she did not create the women's clothing reform style known as bloomers , her name became associated with it because of her early and strong advocacy.
Depiction of Amelia Bloomer wearing the famous "bloomer" costume, which was named after her (a tunic + "pantelettes") "The Bloomer Costume", that Bloomer became known for, an outfit consisting of a tunic and pantelettes, was also visible in the paper. While Bloomer did not create this outfit, she defended it in The Lily.
One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer, it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This ...
Chong Rodriguez founded Bloomer Tech after graduating from Massachusetts Institute of Technology. [5] [6] The company is named after Amelia Bloomer, an activist for women's rights who encouraged women to wear loose-fitting pants. The Bloomer bra, which is designed to fit the curvature of a woman's body, went into clinical trials in 2018. [7]
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
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She displayed her new clothing to temperance activist and suffragist Elizabeth Cady Stanton, who found it sensible and becoming, and adopted it immediately. In this garb, she visited yet another activist, Amelia Bloomer, the editor of the temperance magazine The Lily. Bloomer not only wore the costume, she promoted it enthusiastically in her ...
According to Valerie Steele, by the end of the 19th century, Parisian women were wearing bloomers more commonly than English and American women, probably because bloomers were presented as a fashionable item in France rather than a quasi-feminist statement, which fashion writers strongly disliked. [21]