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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The UK Jazz & Blues Albums Chart is a record chart which ranks the best-selling jazz and blues albums in the United Kingdom. [1] Compiled and published by the Official Charts Company, the data is based on each album's weekly physical sales, digital downloads (since 2007) and streams (since 2015), and is currently published every Friday. [2]
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Mi-composé is a tuning commonly used for rhythm guitar in African popular music forms such as soukous and makossa. [61] It is similar to the standard guitar tuning, except that the d string is raised an entire octave. This is accomplished by replacing the d string with an e' string and tuning it to d'.
Among all regular tunings, all-fourths tuning E-A-D-G-C-F is the best approximation of standard tuning, which is more popular. All-fourths tuning is traditionally used for the bass guitar; [5] it is also used for the bajo sexto. [8] Allan Holdsworth stated that if he were to learn the guitar again he would tune it in all-fourths. [9] [10]
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
where each cell in the table represents one measure (or "bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord.Twelve-bar progressions are formed by applying one of several formulae, including the following.
Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s -> Free jazz: Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't necessarily jazz.