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The problem of free will has been identified in ancient Greek philosophical literature. The notion of compatibilist free will has been attributed to both Aristotle (4th century BCE) and Epictetus (1st century CE): "it was the fact that nothing hindered us from doing or choosing something that made us have control over them".
The kalasha is believed to contain amrita, the elixir of life, and thus is viewed as a symbol of abundance, wisdom, and immortality. The kalasha is often seen in Hindu iconography as an attribute, in the hands of Hindu deities like the creator god Brahma, the destroyer god Shiva as a teacher, and the goddess of prosperity Lakshmi.
Free will in antiquity is a philosophical and theological concept. Free will in antiquity was not discussed in the same terms as used in the modern free will debates, but historians of the problem have speculated who exactly was first to take positions as determinist, libertarian, and compatibilist in antiquity. [1]
Hindu mythology refers to the collection of myths [a] associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas , [ 1 ] the Itihasas (the Mahabharata and the Ramayana ), [ 2 ] and the Puranas . [ 3 ]
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
The Hindu figure of Rama is often presented as an ideal man, representing the epitome of righteousness, compassion, duty, sacrifice, and leadership, making him an enduring symbol of ethical and moral conduct. [1] Rama's adherence to righteousness, or dharma, is a central aspect of his symbolism as an ideal man.
Stella Kramrisch's full analysis of the Tripurasamhara episode appears in Chapter XI.3 of her book, The Presence of Siva [Princeton University Press, 1981], in the section on "Cosmic Demons." [6] In one part, Kramrisch speaks of the story as having "the body of man for its scene": "the Asuras entered the bodies of men.
Auspicious symbols. Mandi. The dhvaja (Sanskrit; Tibetan: རྒྱལ་མཚན་, THL: gyeltsen) "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire, disturbing emotions, and the fear ...