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Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art .
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George Bain (1881–1968), art teacher whose writing revived interest in Celtic and Insular art; James Ballantine (1806–1877), artist and author; Penelope Beaton (1886–1963), painter; Jemima Blackburn (1823–1909), painter and illustrator; John Blair (c. 1849–1934), painter; Muirhead Bone (1876–1953), etcher; Phyllis Bone (1894–1972 ...
The Coffee Pot, by Samuel Peploe (1905). The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s. The name was retrospectively given to John Duncan Fergusson (1874–1961), Francis Cadell (1883–1937), Samuel Peploe (1871–1935) and Leslie Hunter (1877–1931). [2]
Devotional art acquired from the Netherlands in the later fifteenth and early sixteenth centuries included the images of St Catherine and St John brought to Dunkeld; Hugo van Der Goes's altarpiece for the Trinity College Church in Edinburgh, commissioned by James III, and the work after which the Flemish Master of James IV of Scotland is named. [1]
Viking art avoided naturalism, favouring stylised animal motifs to create its ornamental patterns. Ribbon-interlace was important and plant motifs became fashionable in the tenth and eleventh centuries. [45] Most Scottish artefacts come from 130 "pagan" burials in the north and west from the mid-ninth to the mid-tenth centuries. [46]
The National (formerly the Scottish National Gallery) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh , close to Princes Street . The building was designed in a neoclassical style by William Henry Playfair , and first opened to the public in 1859.
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